In 1997 I went to see my first big electronic show, Aphex Twin and Sneaker Pimps. I had gotten SAWII at some point in high school and teen me knew that this was an important piece of music even if it didn’t totally land with me at the time. I was very excited because it was so far afield from stuff I usually listened to. Most of my clubbing was either to see live music that tended toward rock or hardcore while dance clubbing was mostly spooky music. To go see something straight up electronic had my curiosity piqued, especially in a time where the lurid mdma soaked stories of having-not-yet-done-a-murder Michael Alig and his club kids had held my attention captive for years….the whole tragedy of being a bridge and tunnel kid with a curfew, so close to the action but not close enough to be part of it anywhere near enough.
So I went to see Aphex Twin with two guys who were far more ensconced in the Boston goth AND electronic scenes than I was, being as it was the first week of my sophomore year of college. I was still a novice to all of it, basically a scenester puppy hanging out with the exponentially cooler older kids, one of whom was my cool older boyfriend. That show was absolutely “techno on hard mode” in terms of basically everything. Actually Sneaker Pimps were accessible and fun but no really techno. I remember they had lots of projections and I don’t think I’d seen a show that had utilized them to the extent previously. It’s not like I was some country bumpkin, I went to tons of shows but so many of them were overly earnest alternative rock or diy punk bands and I can’t see Sonic Youth or Ramones going hard for over the top visuals in the early to mid 90s.
For the main event, Richard D James hung out on a couch doing live remixing and drinking corona while body builders in thong bathing suits and people dressed as bears danced around stage. Being as the extent of my aphex twin knowledge consisted of one album that this experience was nothing like, i was kind of perplexed, but i was more perplexed at how not like SAWII everything was. My concert compatriots HAAAAAAAAAAATED the show, and I assumed they had to know what they were talking about since they were older and had been to raves. It was a trip and I bet I would have appreciated the show more if I had been tripping.
There is a recording of the show here:
https://archive.org/details/AphexTwin19970908USAMassachusettsBoston/Aphex+Twin+-+1997-09-08+USA-Massachusetts-Boston+-+10+Digeridoo.flac
Looking at the setlist I don’t know why we were all so cranky as in hindsight this looks really good. Maybe the bears or bodybuilders were too much. But it was a relatively legendary show to be at and I wish I’d appreciated it more at the time. Ethan was at that show but I didn’t know him and he was nowhere near my horizon yet.
In 2019 we went down to New York to see Aphex Twin and I fucking loooooooved it. I had gotten cat scratch disease earlier that day and my right hand was swollen up like a balloon and I was on antibiotics and had had to have a ring cut off in the emergency room and my feet were tired from running around the museum of natural history, but despite all that I danced my face off.
In 2001 I went to see autechre at the Middle East and fucking haaaaaaaaaated it . I think Autechre had been having an uncharacteristically popular moment after having been name checked by Thom Yorke of Radiohead as inspiration for either Kid A or Amnesiac, and the show was oversold and horrible as a result. I think Radiohead was the biggest band on the planet at that point so a bunch of their fans showed up. It sucked, there’s no “oh maybe I was too young to get it” hesitation, I had had a headache, it was hot, it was loud, and I was tired. It was so disappointing because I loved them, but that show had been an endurance test I failed. Ethan was also at that show and maybe a little closer to the horizon but not by much.
This evening I went to see Autechre again (with essentially negative expectations), at Vicar Street. Vicar Street is bigger than the Middle East, it was never a bowling alley, so the sound is really good. Andy Maddocks, the founder of Skam records, opened the night (for us, we were a little late and missed the first opener) with a blistering dj set. All sorts of great glitchy music, the crowd was vibing, it was great.
Autechre is one of Ethan’s favorite bands and I love going to shows with him because as much as I like to draw parallels between live music and church like experiences for myself, it is something more for him and the convocation around live music makes almost every show a pilgrimage. It’s really beautiful to see and as we get older and have less time ahead than behind, I find myself wanting to immerse myself in moments like that more, and also to try to eke out any enjoyment where I can as opposed to finding ways to pithily hate on things. I unabashedly love stuff that early twenties me would’ve been shitty about and I just try to keep an open mind about everything if I can help it. A couple years ago I did a lot of ketamine in conjunction with therapy and I kind of wonder if that didn’t help get me to this place. Either way I’m glad to be here.
Autechre was honestly kind of similar to the first time I saw them, very dissonant and confrontational, the set being some serpentine entity that wrapped itself around moments or sounds from songs you maybe thought you knew, moving on quickly to embrace something else. They also turned ALL THE LIGHTS OFF. That was beyond disconcerting, it felt in the humid dark like there was nothing you could grab on to and staying upright became almost a challenge which got frightening a few times so I stepped into the hallway to catch my breath and I was far from the only one doing so. The second time I started talking to a guy who worked at the venue, just about how good their music was but how brutal this show was and how all I needed was something to hold on to, and he disappeared for a moment and reappeared telling me that he’d pulled strings and we could go to a ticketed area we did not have tickets for, and see if that was a gentler experience. Not surprisingly, it was a significantly better experience, less crowded, less muggy, there were seats, and the sound was way better. I have no feeling on the view since, again, ALL THE LIGHTS WERE OFF. But it was awesome and we danced and bounced around in the dark. So props to that guy because he absolutely saved my night from myself. I’m glad to have had a good experience seeing Autechre, just because that was a show that needed a redemption story like Aphex Twin and it happened.
I’m also 2 for 2 in terms of talking with staff at venues where I’ve had a rough time and instead of just commiserating, which is all I wanted, instead they were like “well let’s try to fix this for you” which is inordinately kind. Clearly ever concert I should just be all “hey I have the anxiety lemme watch from back stage” or something.
Concert wise I’m bummed, Ethan had Covid and we assumed I did, so we were quarantined and missed Cabaret Voltaire and Morcheeba. Womp womp. I didn’t get Covid, so I’m now 3 for 3 for direct or prolonged exposure without getting it so that’s weird. I am often at odds with my immune system but maybe it’s doing me a solid here.
So I went to see Aphex Twin with two guys who were far more ensconced in the Boston goth AND electronic scenes than I was, being as it was the first week of my sophomore year of college. I was still a novice to all of it, basically a scenester puppy hanging out with the exponentially cooler older kids, one of whom was my cool older boyfriend. That show was absolutely “techno on hard mode” in terms of basically everything. Actually Sneaker Pimps were accessible and fun but no really techno. I remember they had lots of projections and I don’t think I’d seen a show that had utilized them to the extent previously. It’s not like I was some country bumpkin, I went to tons of shows but so many of them were overly earnest alternative rock or diy punk bands and I can’t see Sonic Youth or Ramones going hard for over the top visuals in the early to mid 90s.
For the main event, Richard D James hung out on a couch doing live remixing and drinking corona while body builders in thong bathing suits and people dressed as bears danced around stage. Being as the extent of my aphex twin knowledge consisted of one album that this experience was nothing like, i was kind of perplexed, but i was more perplexed at how not like SAWII everything was. My concert compatriots HAAAAAAAAAAATED the show, and I assumed they had to know what they were talking about since they were older and had been to raves. It was a trip and I bet I would have appreciated the show more if I had been tripping.
There is a recording of the show here:
https://archive.org/details/AphexTwin19970908USAMassachusettsBoston/Aphex+Twin+-+1997-09-08+USA-Massachusetts-Boston+-+10+Digeridoo.flac
Looking at the setlist I don’t know why we were all so cranky as in hindsight this looks really good. Maybe the bears or bodybuilders were too much. But it was a relatively legendary show to be at and I wish I’d appreciated it more at the time. Ethan was at that show but I didn’t know him and he was nowhere near my horizon yet.
In 2019 we went down to New York to see Aphex Twin and I fucking loooooooved it. I had gotten cat scratch disease earlier that day and my right hand was swollen up like a balloon and I was on antibiotics and had had to have a ring cut off in the emergency room and my feet were tired from running around the museum of natural history, but despite all that I danced my face off.
In 2001 I went to see autechre at the Middle East and fucking haaaaaaaaaated it . I think Autechre had been having an uncharacteristically popular moment after having been name checked by Thom Yorke of Radiohead as inspiration for either Kid A or Amnesiac, and the show was oversold and horrible as a result. I think Radiohead was the biggest band on the planet at that point so a bunch of their fans showed up. It sucked, there’s no “oh maybe I was too young to get it” hesitation, I had had a headache, it was hot, it was loud, and I was tired. It was so disappointing because I loved them, but that show had been an endurance test I failed. Ethan was also at that show and maybe a little closer to the horizon but not by much.
This evening I went to see Autechre again (with essentially negative expectations), at Vicar Street. Vicar Street is bigger than the Middle East, it was never a bowling alley, so the sound is really good. Andy Maddocks, the founder of Skam records, opened the night (for us, we were a little late and missed the first opener) with a blistering dj set. All sorts of great glitchy music, the crowd was vibing, it was great.
Autechre is one of Ethan’s favorite bands and I love going to shows with him because as much as I like to draw parallels between live music and church like experiences for myself, it is something more for him and the convocation around live music makes almost every show a pilgrimage. It’s really beautiful to see and as we get older and have less time ahead than behind, I find myself wanting to immerse myself in moments like that more, and also to try to eke out any enjoyment where I can as opposed to finding ways to pithily hate on things. I unabashedly love stuff that early twenties me would’ve been shitty about and I just try to keep an open mind about everything if I can help it. A couple years ago I did a lot of ketamine in conjunction with therapy and I kind of wonder if that didn’t help get me to this place. Either way I’m glad to be here.
Autechre was honestly kind of similar to the first time I saw them, very dissonant and confrontational, the set being some serpentine entity that wrapped itself around moments or sounds from songs you maybe thought you knew, moving on quickly to embrace something else. They also turned ALL THE LIGHTS OFF. That was beyond disconcerting, it felt in the humid dark like there was nothing you could grab on to and staying upright became almost a challenge which got frightening a few times so I stepped into the hallway to catch my breath and I was far from the only one doing so. The second time I started talking to a guy who worked at the venue, just about how good their music was but how brutal this show was and how all I needed was something to hold on to, and he disappeared for a moment and reappeared telling me that he’d pulled strings and we could go to a ticketed area we did not have tickets for, and see if that was a gentler experience. Not surprisingly, it was a significantly better experience, less crowded, less muggy, there were seats, and the sound was way better. I have no feeling on the view since, again, ALL THE LIGHTS WERE OFF. But it was awesome and we danced and bounced around in the dark. So props to that guy because he absolutely saved my night from myself. I’m glad to have had a good experience seeing Autechre, just because that was a show that needed a redemption story like Aphex Twin and it happened.
I’m also 2 for 2 in terms of talking with staff at venues where I’ve had a rough time and instead of just commiserating, which is all I wanted, instead they were like “well let’s try to fix this for you” which is inordinately kind. Clearly ever concert I should just be all “hey I have the anxiety lemme watch from back stage” or something.
Concert wise I’m bummed, Ethan had Covid and we assumed I did, so we were quarantined and missed Cabaret Voltaire and Morcheeba. Womp womp. I didn’t get Covid, so I’m now 3 for 3 for direct or prolonged exposure without getting it so that’s weird. I am often at odds with my immune system but maybe it’s doing me a solid here.