When I was little we had one of those big cabinet televisions where the cabinet was big and made of particle board that would warm up in a way that would seem almost soothing the longer the television was left on.
I remember this intimately because when I was little, really little, I was *obsessed* with Dolly Parton. Her variety show Dolly was playing in syndication on some channel we didn’t quite get, the visuals were terrible while the audio was fine, and I’d hug the cabinet and press my cheek up against the glass trying to see her during the opening credits when they’d play ”Love is Like a Butterly” before segueing into some other song that she would perform live. I would sing along but mispronounced butterfly as “tutterfly”, a tradition my parents, but especially my dad, kept alive long after I’d outgrown it. But oh my goodness how I adored her. Her voice, her laugh, her hair, her costumes, her guitar playing, she was so larger than life and sparkly and phenomenal in a way that left me absolutely transfixed. I remember having one arm flung across the top of the cabinet with my head against the glass trying as if by some force of will to bring her into focus out from behind the static, giddy with excitement when I could see hints of color or form. Every episode would end with her reciting some of the lyrics from “I Will Always Love You” and something about her felt so sincere to a little kid. She felt like safety and comfort. When we finally did get cable I watched 9 to 5 a ton, basically having no idea what the movie was about other than that Dolly was in it. This was not a consistent love of an artist, but a pretty intense one as a little kid. I was similarly infatuated with Liberace and Elvira but neither met the same fevered pitch of childish reverence that was Dolly.
I don’t think there are any artists left that I view as such significant parts of my childhood, that are so intrinsically tied to so many memories, especially memories with my parents (who both appreciated music like I do, who probably instilled that in me) and who are still active and creating work like Parton was, up to the end. I feel like she’s the last artist who existed through all the pasts of my life up until today and that was surprisingly painful.
On peloton you can high five other riders as a show of support and it’s really simple but surprisingly effective. There’s an old Dolly ride from 2020 that I jumped on this evening and it was packed and everyone was high fiving each other in a way that kind of felt like, “I see you and you’re probably navigating some weird parasocial form of grief like I am right now” and it was pretty cathartic.
I remember this intimately because when I was little, really little, I was *obsessed* with Dolly Parton. Her variety show Dolly was playing in syndication on some channel we didn’t quite get, the visuals were terrible while the audio was fine, and I’d hug the cabinet and press my cheek up against the glass trying to see her during the opening credits when they’d play ”Love is Like a Butterly” before segueing into some other song that she would perform live. I would sing along but mispronounced butterfly as “tutterfly”, a tradition my parents, but especially my dad, kept alive long after I’d outgrown it. But oh my goodness how I adored her. Her voice, her laugh, her hair, her costumes, her guitar playing, she was so larger than life and sparkly and phenomenal in a way that left me absolutely transfixed. I remember having one arm flung across the top of the cabinet with my head against the glass trying as if by some force of will to bring her into focus out from behind the static, giddy with excitement when I could see hints of color or form. Every episode would end with her reciting some of the lyrics from “I Will Always Love You” and something about her felt so sincere to a little kid. She felt like safety and comfort. When we finally did get cable I watched 9 to 5 a ton, basically having no idea what the movie was about other than that Dolly was in it. This was not a consistent love of an artist, but a pretty intense one as a little kid. I was similarly infatuated with Liberace and Elvira but neither met the same fevered pitch of childish reverence that was Dolly.
I don’t think there are any artists left that I view as such significant parts of my childhood, that are so intrinsically tied to so many memories, especially memories with my parents (who both appreciated music like I do, who probably instilled that in me) and who are still active and creating work like Parton was, up to the end. I feel like she’s the last artist who existed through all the pasts of my life up until today and that was surprisingly painful.
On peloton you can high five other riders as a show of support and it’s really simple but surprisingly effective. There’s an old Dolly ride from 2020 that I jumped on this evening and it was packed and everyone was high fiving each other in a way that kind of felt like, “I see you and you’re probably navigating some weird parasocial form of grief like I am right now” and it was pretty cathartic.